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Oscar Peterson
Oscar (* 1925) started classical piano lessons when he was six and developed quickly.
After winning a talent show at 14, he began starring on a weekly radio show in Montreal.
From 1945-1949, he recorded 32 selections for Victor in Montreal. His technique was quite
brilliant even at that early stage. Granz discovered Oscar in 1949 and soon presented
him as a surprise guest at a Jazz at the Philharmonic concert. Oscar was recorded in 1950
on a series of duets with either Ray Brown or Major Holley on bass; his version of "Tenderly"
became a hit. In 1952 he formed a trio with guitarist Barney Kessel and Brown. Kessel was
replaced by Herb Ellis the following year. The Peterson-Ellis-Brown trio was one of jazz's
great combos from 1953-1958. In 1958, when Ellis left the band, he was replaced by drummer
Ed Thigpen. In contrast to the earlier group, the Peterson-Brown-Thigpen trio, which lasted
until 1965, found the pianist easily the dominant soloist. Later versions of the group
featured drummers Louis Hayes (1965-1966), Bobby Durham (1967-1970), Ray Price (1970),
and bassists Sam Jones (1966-1970) and George Mraz (1970).
In 1960, Oscar established the Advanced School of Contemporary Music in Toronto, which lasted for three years. He made his first recorded set of unaccompanied piano solos in 1968 during his highly rated series of MPS recordings. With the formation of the Pablo label by Granz in 1972, Oscar was often teamed with guitarist Joe Pass and bassist Niels Pedersen. He appeared on dozens of all-star records, made five duet albums with top trumpeters (Dizzy Gillespie, Roy Eldridge, Harry "Sweets" Edison, Clark Terry, and Jon Faddis), and teamed up with Count Basie on several two-piano dates. An underrated composer, Peterson wrote and recorded the impressive "Canadiana Suite" in 1964 and has occasionally performed originals in the years since. Although always thought of as a masterful acoustic pianist, Peterson has also recorded on electric piano , organ on rare occasions, and even clavichord for an odd duet date with Joe Pass. One of his rare vocal sessions in 1965, With Respect to Nat, reveals that Peterson's singing voice was nearly identical to Nat King Cole's. A two-day reunion with Herb Ellis and Ray Brown in 1990, which also included Bobby Durham, resulted in four CDs. Peterson was felled by a serious stroke in 1993 that knocked him out of action for two years. He gradually returned to the scene, however, although with a weakened left hand. Oscar passed away in December 2007. from Scott Yanow at allmusic.com |
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Rockin' Chair Verve 837432-1 recorded August and December 1951 and December 1952 in New York City/USA |
Roy Eldridge, trumpet Oscar Peterson, piano, organ Ray Brown, bass Barney Kessel, guitar |
Recital By Billie Holiday Verve MGV8027 recorded July 1952 released 1956 |
Billie Holiday, vocals Joe Newman, trumpet Paul Quinichette, tenor sax Oscar Peterson, piano, organ Ray Brown, bass Freddie Green, guitar Gus Johnson, drums |
Rockin' Chair Verve MGV8290 released 1958 |
Ray Brown, bass Oscar Peterson, piano, organ Herb Ellis, guitar Jerome Richardson, flute Osie Johnson, drums |
Oscar Peterson & Roy Eldridge Pablo PN 4048 recorded December 1974 in Los Angeles, CA/USA |
Oscar Peterson, piano, organ Roy Eldridge, trumpet |
The Giants Pablo 2310-796 recorded December 1974 in Los Angeles, CA/USA released 1977 |
Oscar Peterson, piano, organ Ray Brown, bass Joe Pass, guitar |
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