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Clare Fischer
Born in 1928, Clare Fischer began his studies in Grand Rapids, Michigan, at South High School.
After receiving his master's degree in composition from Michigan State University,
he traveled extensively with "The Hi-Lo's" as pianist-conductor for 5 years. About the same
time, his musical ascension began with his critically acclaimed arrangements for Dizzy Gillespie's
"A Portrait of Duke Ellington." Fischer's influences, absorbed along the way, are as distinct
as his music: Stravinsky and Shostakovich, Bartok and Berg, Dutilleux, boogie-woogie pianist
Meade Lux Lewis, Nat "King" Cole, Duke Ellington, Bud Powell and early Lee Konitz.
"I relate to everything," he explains. "I'm not just jazz, Latin, or classical. I really am a fusion of all of those, not today's fusion, but my fusion." In 1983 classical concert artist Richard Stoltzman commissioned Fischer to write a symphonic work using Duke Ellington and Billy Strayhorn themes. The resulting composition, "The Duke, Swee'pea and Me," features Stoltzman on clarinet, and is performed with symphony orchestras around the world. More recently Fischer was commissioned by Stoltzman to write a "Sonatine for Clarinet and Piano" in three movements, which he has recorded with RCA on his album, "American Clarinet" and is being published by Advance Music in Germany. In 1986 Clare won his second Grammy Award - this one for his album, "Free Fall," the first having been won in 1981 for his album, "Salsa Picante plus 2 + 2." Since that time he has spent more time as a jazz educator, performing solo piano concerts and conducting clinics and master classes in universities and music conservatories in Scandinavia, Europe and throughout the United States. In the last few years Clare has appeared in Paris, Finland, Norway, Germany with the WDR Big Band, The Netherlands with the Metropole Orchestra, Austria at the Vienna Konzerthaus and in Mexico City at the Ollin Yolítzli Concert Hall in a concert commemorating the music of Antonio Carlos Jobim on the anniversary of his death in December, 1996. In October of 1998 he performed at the Choro Festival with Hélio Delmiro in São Paulo, Brazil and returned in July, 2000 for a three-city tour in that country with Delmiro. In May 2001 Clare completed a European tour teaching master classes and performing solo piano concerts in four countries. In addition to Dizzie Gillespie, Fischer has written for Cal Tjader, George Shearing, Diane Schuur, Natalie Cole, Chaka Khan and Rufus, The Jacksons, Earl Klugh, Prince, Robert Palmer, Paul McCartney, Michael Jackson, Spike Lee, João Gilberto, Paula Abdul, and most recently Brian McKnight, Regina Belle, J. Spencer, Norman Whitfield, Branford Marsalis, Tori Amos, Terry Trotter, a French group - "Charts", a Japanese group - "Sing Like Talking", Vanessa Williams, Brandy, Tony! Toni! Toné! and many others. Since beginning his professional career, Fischer has recorded over 45 albums as leader and has arranged, composed and/or played on another 100 plus albums for other recording artists. His discography reads like a "Who's Who" of the recording industry. Recent releases include "Clare Fischer's Jazz Corps," a big band album made up of 20 brass, 6 woodwinds plus rhythm; and "Symbiosis," recorded with Hélio Delmiro on unamplified Brazilian guitar and Clare on digital piano. In January 2001 Fischer produced his first classical CD, "After the Rain," made up entirely of his own symphonic works. In December, 1999, Michigan State University School of Music conferred an Honorary Doctorate of Fine Arts Degree on Clare in recognition of his "...creativity and excellence as a jazz composer, arranger and performer..." |
| contact: | clarefischer@thegrid.net |
| homepage: | www.clarefischer.com |
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Click on the logo to see Clare's tour dates. |
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Extension Pacific Jazz 77; Discovery DS-835 recorded 1963 in Los Angeles, CA/USA |
Clare Fischer, piano, organ John Lowe, flutes Sam Most, flutes Bud Shank, flute, alto sax Don Shelton, clarinet, alto sax Louis Ciotti, clarinet Gary Foster, alto clarinet, tenor sax Jerry Coker, bass clarinet Jack Nimitz, contrabass clarinet, baritone sax Vince de Rosa, horn Richard Perissi, horn Fred Teuber, horn Gil Falco, tenor trombone Bobby Knight, bass trombone Tommy Johnson, tuba Larry Bunker, vibes Bob West, bass Colin Bailey, drums |
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Catch Me! Pacific Jazz 73 recorded 1963 in Los Angeles, CA/USA |
Joe Pass, guitar Clare Fischer, piano, organ Albert Stinson, bass Ralph Pena, bass Colin Bailey, drums Larry Bunker, drums |
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Soña Libré Verve 815058-2 recorded january 1963 in Los Angeles, CA/USA |
Cal Tjader, vibes Clare Fischer, piano, organ Fred Schrieber, bass Johnny Rae, drums Bill Fitch, conga |
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Great White Hope! Revelation Records recorded 1970 in Studio City, CA/USA |
Clare Fischer, Yamaha organ |
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Tell It Like It Is Light Records recorded 1972 in USA |
Clare Fischer, Yamaha organ |
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Clare Declares MPS 5D 064D-99431 recorded october 1975 in Meersburg/Germany |
Clare Fischer, pipe organ |
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Salsa Picante HGBS 15539 recorded january 1978 in Hollywood, CA/USA |
Clare Fischer, piano, organ Rick Zunigar, guitar David Acuña, flute David Troncoso, bass Pete Riso, drums Alex Acuña, timbales, percussion Ildefonso Sanchez, congas, bongos |
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Machaca Discovery DS-835 recorded june 1979 in Hollywood, CA/USA |
Clare Fischer, piano, organ Rick Zunigar, guitar Gary Foster, flute, soprano sax, bass recorder David Troncoso, bass Aaron Ballesteros, drums, campana Alex Acuña, timbales, percussion, drums Poncho Sanchez, congas Hector Andrade, percussion, campana, bongas, timbales |
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And Ex-42 MPS 68246 recorded june 1979 in Germany |
Clare Fischer, organ Gary Foster, alto sax, soprano sax Andy Simpkins, bass Larry Bunker, drums |
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